BC Publications
VERTICAL LAYOUT - with Abstract
Books
Barnett Newman and Heideggerian Philosophy
<p>As a major member of the New York School, Barnett Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and place in history have grown progressively more secure, the work he produced remains highly resistant to interpretation. </p>
Fairleigh Dickinson University Press, 2012
Jackson Pollock: Psychoanalytic Drawings
<p>Art historian Claude Cernuschi's essay addresses key historical and interpretive questions surrounding these drawings: what was their intended purpose?; do they have particular psychoanalytic importance? what is the relationship between psychoanalysis and art? Ultimately, Cernuschi argues for the importance of reintegrating these works into their rightly held place in Pollock's oeurve. Remarkable for their beauty as well as spontaneity, these drawings reflect the conscious intellectual choice of an artist blazing new trails.</p>
Duke University Press, 1992
Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-De-Siecle Vienna
<p>This interpretative study of Kikiscka's Expressionist work critically examines the claims for "truth" often made on behalf of Kokoschka's portraits, as well as the fundamental assumptions underlying his portraiture: the interchangeability of the physical and psychological, the psychological veracity of mythical narratives, and the ability of style to convey ethical and epistemological truth. This study also draws attention to the numerous parallels between Kokoschka's Expressionism and Freudian psychoanalysis, to the ways in which style in Vienna in 1900 could convey political (especially antifeminist and anti-Semitic) meanings.</p>
Fairleigh Dickinson University Press, 2002
Jackson Pollock: Meaning and Significance
HarperCollins, 1992
"Not an illustration but the equivalent" : a cognitive approach to abstract expressionism
Fairleigh Dickinson University Press, 1997
VERTICAL LAYOUT - without Abstract
Books
Barnett Newman and Heideggerian Philosophy
<p>As a major member of the New York School, Barnett Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and place in history have grown progressively more secure, the work he produced remains highly resistant to interpretation. </p>
Fairleigh Dickinson University Press, 2012
Jackson Pollock: Psychoanalytic Drawings
<p>Art historian Claude Cernuschi's essay addresses key historical and interpretive questions surrounding these drawings: what was their intended purpose?; do they have particular psychoanalytic importance? what is the relationship between psychoanalysis and art? Ultimately, Cernuschi argues for the importance of reintegrating these works into their rightly held place in Pollock's oeurve. Remarkable for their beauty as well as spontaneity, these drawings reflect the conscious intellectual choice of an artist blazing new trails.</p>
Duke University Press, 1992
Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-De-Siecle Vienna
<p>This interpretative study of Kikiscka's Expressionist work critically examines the claims for "truth" often made on behalf of Kokoschka's portraits, as well as the fundamental assumptions underlying his portraiture: the interchangeability of the physical and psychological, the psychological veracity of mythical narratives, and the ability of style to convey ethical and epistemological truth. This study also draws attention to the numerous parallels between Kokoschka's Expressionism and Freudian psychoanalysis, to the ways in which style in Vienna in 1900 could convey political (especially antifeminist and anti-Semitic) meanings.</p>
Fairleigh Dickinson University Press, 2002
Jackson Pollock: Meaning and Significance
HarperCollins, 1992
"Not an illustration but the equivalent" : a cognitive approach to abstract expressionism
Fairleigh Dickinson University Press, 1997
Books
Barnett Newman and Heideggerian Philosophy
<p>As a major member of the New York School, Barnett Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and place in history have grown progressively more secure, the work he produced remains highly resistant to interpretation. </p>
Fairleigh Dickinson University Press, 2012
Jackson Pollock: Psychoanalytic Drawings
<p>Art historian Claude Cernuschi's essay addresses key historical and interpretive questions surrounding these drawings: what was their intended purpose?; do they have particular psychoanalytic importance? what is the relationship between psychoanalysis and art? Ultimately, Cernuschi argues for the importance of reintegrating these works into their rightly held place in Pollock's oeurve. Remarkable for their beauty as well as spontaneity, these drawings reflect the conscious intellectual choice of an artist blazing new trails.</p>
Duke University Press, 1992
Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-De-Siecle Vienna
<p>This interpretative study of Kikiscka's Expressionist work critically examines the claims for "truth" often made on behalf of Kokoschka's portraits, as well as the fundamental assumptions underlying his portraiture: the interchangeability of the physical and psychological, the psychological veracity of mythical narratives, and the ability of style to convey ethical and epistemological truth. This study also draws attention to the numerous parallels between Kokoschka's Expressionism and Freudian psychoanalysis, to the ways in which style in Vienna in 1900 could convey political (especially antifeminist and anti-Semitic) meanings.</p>
Fairleigh Dickinson University Press, 2002
Jackson Pollock: Meaning and Significance
HarperCollins, 1992
"Not an illustration but the equivalent" : a cognitive approach to abstract expressionism
Fairleigh Dickinson University Press, 1997