Postdoctoral Fellow and Program Coordinator in Irish Studies
Connolly House
Email: youngrp@bc.edu
ORCID 0000-0001-9784-3052
Instructor of Record:
Ireland Since the Famine, 1845 to Present
Modern History I: 1400-1800
Modern History II: 1800-Present
Atlantic History I 1400-1800
Atlantic History II 1800-Present
Teaching Assistant or Grader:
Europe in the World I
Europe in the World II
Atlantic Worlds I
Atlantic Words II
Asia in the World I
Asia in the World II
America in the Vietnam War
US Foreign Policy
Modern Ireland, Northern Ireland, the Troubles, modern Britain, race in Britain, murals, community art, uprisings, hunger strikes, protest, activism, 1980s, Thatcher's Britain
Rachael's dissertation is a comparative analysis of community murals painted in Belfast and Brixton during the 1980s. She examines murals painted in Belfast after the 1981 hunger strike in the nationalist/republican community and murals painted in Brixton after the 1981 anti-police uprisings in the Black community. She argues that after these very public clashes with representatives of Thatcher's government, the nationalist/republican community in Belfast and the Black community in Brixton used murals as a less violent, but no less visible tool to protest, what they believed to be, injustices committed by the British government. Each community used murals as a visual tool to challenge the law-and-order narrative of the Thatcher government, instead presenting a counter-narrative to tell their own story and better their communities.
“‘We can’t keep painting over our problems’: Murals, Social Media, and Feminist Activism in Ireland”, Éire-Ireland, 56, no. 3 & 4 (Fall/Winter 2021): 320-345