Devlin Hall 422
Telephone: 617-552-6459
Email: stephanie.leone@bc.edu
ORCID 0000-0003-0504-7919
Early Renaissance Art in Italy
Italian High Renaissance Art
Italian Baroque Art
Renaissance Women
Rome Reborn
Venetian Art and Architecture
Italian Renaissance and Baroque Art and Architecture
Early Modern Rome
Patronage
Material Culture
History of collections
Professor Leone’s research focuses on the city of Rome in the early modern period (1400-1800), which provides endless opportunities to study the intersection of art and society. She is interested in how art was made, what purpose it had, and what it meant in its original context and over time. Her research considers the topics of patronage, the papal court, domestic architecture, architectural practice, the work of artisans, art collecting, and material culture.
Her monograph, The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome (2008), launched her interests in the world of the papal court, the patronage of Pope Innocent X, the Pamphilj family, and their contributions to shaping the city of Rome. The book explores the social rise of the Pamphilj, the building history of the palace, the relationship between architecture and self-representation, and the role of Gian Lorenzo Bernini’s famous Four Rivers Fountain in this story.
Her next project brought together an interdisciplinary group of local, national, and international scholars to examine the wide-ranging influence of Innocent X and his relatives, especially Cardinal Benedetto Pamphilj, on the visual, musical, and literary arts in Rome, from 1644-1730. This wonderful collaborative endeavor resulted in an international conference at Boston College, and the edited volume, The Pamphilj and the Arts: Patronage and Consumption in Baroque Rome (2011).
At present, Professor Leone is writing a book—titled Building for the Holy Year: Innocent X Pamphilj and Architecture in Rome—about Innocent X’s projects to renovate Rome for the Holy Year of 1650 and how he managed to accomplish so much building in just five years. Along with digging in the archives, she is using the digital technology of network analysis to analyze the relationships among advisors, architects, and artisans in architectural practice.
In addition, Professor Leone has published many articles and book chapters on related and separate topics, from the Chapel of Francis Xavier in the Gesù church in Rome, to an eighteenth-century Italian painting masquerading as a Raphael in nineteenth-century Boston. She is grateful for the research support of many institutions, including Boston College, the American Academy in Rome, the Samuel H. Kress Foundation, CASVA at the National Gallery of Art, and Harvard University’s Villa I Tatti outside Florence.
Professor Leone enjoys teaching a repertoire of courses on Italian Renaissance and Baroque art at Boston College. Her classes are informed by her experiences of on-site study in Italy. Special topics include a new course called Rome Reborn (planned for 2025-26), a recent addition on Renaissance Women, and a longtime favorite, Venetian Art and Architecture. While aiming to transport her students back in time, she also considers how the art of the past is displayed in museums today.
“Cardinal Benedetto Pamphilj: Patron of the Villa del Gran Priorato, Rome (1678-1730),” in L’Ordine di Malta e la Lingua d’Italia. Architettura e temi decorativi dalla Controriforma al Settecento, ed. F. Bulfone, V. Burgassi, D.K. Gullo, and A. Spila, special issue, LEXICON. Storia e architettura in Sicilia e nel Mediterraneo (in press).
“Innocent X Pamphilj’s Architectural Network in Rome,” co-author with Paul Vierthaler, Renaissance Quarterly 73.3 (2020): 897-952.
“The Arm Relic as Index of the Body: The Chapel of Francis Xavier, Il Gesù,” co-author with Alison C. Fleming, in Chapels in Roman Churches in the Cinquecento and Seicento: Form, Meaning, and Function, eds. Patrizia Tosini, Steven F. Ostrow, Chiara Franceschini. Milan: Officina Libraria, 2020, 190-211.
“Palace Architecture and Decoration in Early Modern Rome,” in A Companion to Early Modern Rome, 1492–1692, ed. by Simon Ditchfield, Pamela M. Jones, Barbara Wisch. Leiden: Brill Publishers, 2019, 342-366.
“A ‘Raphael’ in Nineteenth-Century Boston: The Biography of the McMullen Museum of Art’s Madonna and Child with John the Baptist,” Nineteenth-Century Art Worldwide, 17.2 (2018), http://www.19thc-artworldwide.org
“Luca Berrettini (1609–1680): The Scalpellino-Merchant in Pietro da Cortona’s Architectural Production and Baroque Rome,” Römisches Jahrbuch der Bibliotheca Hertziana 41 (2013/14) [2017]: 437–72.
“Luca Signorelli’s Veturia Persuading Coriolanus to Spare Rome and Viewers in the Palazzo Petrucci, Siena,” in Receptions of Antiquity, Constructions of Gender in European Art, 1300–1600, eds. Marice Rose and Alison C. Poe. Leiden: Brill, 2015, 131–168.
"Prince Giovanni Battista Pamphilj (1648–1709) and the Display of Art in the Palazzo al Collegio Romano, Rome," Memoirs of the American Academy in Rome, 58 (2013) 181-214.
Editor and contributor, The Pamphilj and the Arts: Patronage and Consumption in Baroque Rome. Chestnut Hill, MA: McMullen Museum of Art; Chicago: University of Chicago Press, 2011.
The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome. London: Harvey Miller—Brepols, 2008.
Co-editor and contributor, Walls and Memory: the Abbey of San Sebastiano at Alatri (Lazio), from Late Roman Monastery to Renaissance Villa and Beyond, eds. L. Fentress, C. Goodson, M. Laird, and S.C. Leone. Turnhout: Brepols, 2005.
Kress Fellow in the Digital Humanities, Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, Florence, Jan.–June 2018
Boston College, Research Incentive Grant, 2014–15 Paul Mellon Visiting Senior Fellow, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC, Nov.–Dec. 2014
Renaissance Society of America Grant, summer 2014
Boston College, Institute for the Liberal Arts, 2010
National Endowment for the Arts, 2010–11, grant for The Pamphilj and the Arts, McMullen Museum of Art
Franklin Grant, American Philosophical Society, 2007
Scott Opler JSAH Fellowship, Society of Architectural Historians, 2005, publication subvention
Boston College, Teaching, Advising and Mentoring Grant, 2005
Graduate School Fellowship, Rutgers University, 2000–01
Samuel H. Kress Foundation Pre-doctoral Fellowship, Rome Prize, American Academy in Rome, 1998–2000
Travel Grant, J. William Fulbright Foreign Scholarship Board, Rome Italy, 1998–99
Lemmermann Foundation Grant, Rome, May–June 1998
Olga Berendsen Prize in Baroque Art, Rutgers University, 1997
Walter C. Russell Tuition Scholarship, Rutgers University, 1995–96
Florence Fellow, Syracuse University, 1993
Society of Fellows Council, American Academy in Rome, Member, 2010–11, Vice President, 2012–16
Affiliate Representative of Society of Fellows to Renaissance Society of America, 2011–16
Arts Editor, Religion and the Arts, Boston College, 2009–2021