The Odyssey: An Artist Residency with Louis & Dan and the Invisible Band
Wednesday April 23, Friday April 25, and Saturday April 26 | Various times | Multiple Location | Open to the Public

Courtesy: Matthew Mao, photography
Boston College welcomes Professors Louis Epstein (Musicology, St. Olaf College) and Daniel Groll (Philosophy, Carleton College) to campus for an interdisciplinary week-long residency in April 2025. Humanities scholars, educators, composers, and performers, Epstein and Groll are well-known for combining scholarly pursuits and teaching with musical performance and community engagement as the family music duo Louis & Dan and the Invisible Band. Their interdisciplinary residency engages Boston College students and brings together different programs across campus, including the Music, Classical Studies, and Philosophy Departments, Center for Teaching Excellence, Messina College, and Arts Council. The residency comprises three public events that are free admission and open to the BC and local communities:
- Wednesday, April 23, 1-2 pm, Gasson Hall: Creative Practices for Inclusive Teaching: A Panel Discussion Moderated by Alicia LaPolla, Associate Dean of Messina College
- Friday, April 25, 7-8 pm, Vanderslice Cabaret Room: The Odyssey: The Musical (world premiere) by Louis Epstein and Daniel Groll. A blend of Broadway musical, indie rock concept album, Disney fairy tale, and revue, The Odyssey: The Musical conveys themes of love and loss, manipulation and desperation, hospitality and exploitation. Kids, tweens, college students, adults, and even Classics scholars will find something to love in this sometimes riotous, sometimes heart wrenching, always gripping story about the obstacles we overcome to make our way home. Composers workshop new materials and perform alongside Boston College students from Chestnut Hill and Brookline campuses to present a theatrical review. Produced by Anna Wittstruck and directed by Lauren Busa.
- Saturday, April 26, 11 am, Arts Festival Main Tent: Boston College Symphony Orchestra Family Concert featuring music by Louis & Dan and the Invisible Band. Anna Wittstruck, conductor. Louis Epstein and Daniel Groll, guest composers and performers.
These events are generously sponsored by the Institute for the Liberal Arts, and co-presented by the Center for Teaching Excellence and the 2025 Annual Boston College Arts Festival.
Artist: Louis and Dan

Louis & Dan and the Invisible Band make clever music for curious kids and their families; for some reason college students also really like their music. That might be because Louis and Dan are both college professors who infuse their five albums' worth of original songs with wit, cheek, and plenty of esoteric facts. Winners of the John Lennon Songwriting Contest and a Department of Health and Human Services LymeX Healthathon Award, Louis & Dan are also extremely humble about how awesome they are. You can find their music on all streaming services, as well as at their website, louisdaninvisible.com. (There's even a song about the website.)

Louis Epstein is an Associate Professor of Music and Chair of the Music Department at St. Olaf College. His research explores the institutions and practices that shaped classical music cultures in early twentieth-century France and the United States. His monograph, The Creative Labor of Music Patronage in Interwar France, appeared with Boydell Press in 2022, and he has also published articles in the Journal of the American Musicological Society, the Journal of Musicology, Music & Politics, the Journal of Music History Pedagogy, and the Revue de musicologie. With Daniel Barolsky, Louis co-edited two volumes of Open Access Musicology. He won the 2016 AMS Teaching Award for The Musical Geography Project, a repository of student-generated digital maps intended as resources for scholars, teachers, and students of music history (www.musicalgeography.org). He lives in Northfield, Minnesota with his wife, two children, and a mini American Shepherd named Barley.

Louis Epstein is an Associate Professor of Music and Chair of the Music Department at St. Olaf College. His research explores the institutions and practices that shaped classical music cultures in early twentieth-century France and the United States. His monograph, The Creative Labor of Music Patronage in Interwar France, appeared with Boydell Press in 2022, and he has also published articles in the Journal of the American Musicological Society, the Journal of Musicology, Music & Politics, the Journal of Music History Pedagogy, and the Revue de musicologie. With Daniel Barolsky, Louis co-edited two volumes of Open Access Musicology. He won the 2016 AMS Teaching Award for The Musical Geography Project, a repository of student-generated digital maps intended as resources for scholars, teachers, and students of music history (www.musicalgeography.org). He lives in Northfield, Minnesota with his wife, two children, and a mini American Shepherd named Barley.
Panel Discussion
Creative Practices for Inclusive Teaching
Wednesday, April 23, 2025 | 1:00-2:00 pm | Gasson 100
A conversation on the relationship between creative work, embodied learning, and inclusive teaching practices. Topics will include: scaffolding creative assignments across disciplines, cultivating classroom dynamics that allow students to bring their strengths and identities forward, rethinking the binary between imagination and rigor, navigating positionalities as instructors, and music making as a tool for learning. The lessons that arts faculty have to offer in teaching creativity as a practice may illuminate paths towards asset-based learning, and more broadly advance affirmative teaching goals.
Panel:
- Moderated by: Alicia LaPolla, Associate Dean of Messina College
- Louis Epstein, Associate Professor in Music and Chair. St. Olaf College
- Samuel Lewis Bradley, Jr., Associate Dean of Academic Planning and MSW Program Director, School of Social Work, Boston College
- Anna Wittstruck, Associate Professor of the Practice in Music, Director of the Boston College Symphony Orchestra, Boston College
- Stacy Grooters, Executive Director, Center for Teaching Excellence, Boston College
Bios:

Louis Epstein
Louis Epstein is an Associate Professor of Music and Chair of the Music Department at St. Olaf College, where he also co-directed the campus center for teaching excellence, the Center for Innovation in the Liberal Arts. He won the 2016 American Musicological Society Teaching Award for The Musical Geography Project, a repository of student-generated digital maps intended as resources for scholars, teachers, and students of music history (www.musicalgeography.org) and served as Chair of the Pedagogy Study Group of the American Musicological Society from 2020-22. He is the author of "Mind the Gap: Inclusive Pedagogies for Diverse Classrooms," and is currently PI on a Mellon-funded study, "Small Teaching for Student Success: Engaging Faculty in Strengthening Students' Academic Belonging."

Samuel Lewis Bradley, Jr
Samuel Lewis Bradley, Jr. is the associate dean of academic planning and MSW Program Director at the Boston College School of Social Work. Bradley provides leadership over the social work school’s graduate curriculum, including the program's curriculum development and planning, accreditation, faculty support, and administrative operations. As associate dean of academic planning for the MSW program, Dr. Bradley is responsible for ensuring the program's continued quality, development, and excellence.

Anna Wittstruck
Anna Wittstruck is an Associate Professor of the Practice in Music, Director of the Boston College Symphony Orchestra at Boston College, where she oversees instrumental studies and teaches academic music courses. She has presented research on creative and inclusive teaching practices at the 2023 Teaching Music History Conference, during which she served on a panel discussion about open-access texts and gave an individual paper: “Lil Nas X as Romantic?: Toward Culturally-Responsive Music Electives.” She also co-led the AMS Pedagogy Study Group workshop for the American Musicological Society’s annual meeting in 2022. At BC, she can be seen around campus conducting classical concerts and leading end-of-semester flash mobs with her Intro to Music class.

Stacy Grooters
Stacy Grooters is the Executive Director of the Center for Teaching Excellence at Boston College and recently concluded her term as President of the POD Network, the national organization of educational developers. Stacy’s research interests look at the role of instructor and student identity in the classroom, as well as broader questions of equity in higher education. Her current project seeks to define what it means to be an “equity-minded” educational developer and identify the pathways that educational developers take towards growing an equity-minded practice.

Alicia LaPolla
Alicia LaPolla, Ed.D. is the Associate Dean of Messina College at Boston College. She holds a Bachelor of Arts in Psychology from Boston College, a Master of Education in Human Development and Psychology from the Harvard Graduate School of Education, and a Doctor of Education in Higher Education Administration from Northeastern University. Her doctoral research explored the development of social identity and sense of belonging among first-generation college students.
With over 20 years of experience in higher education, Dr. LaPolla has held a range of leadership roles in Student Affairs at Wentworth Institute of Technology, Northeastern University, and Simmons University. Before returning to Boston College in 2023, she served as the Associate Dean of Student Affairs for Master’s Students at Brown University.
World Premiere of The Odyssey
Friday, April 25, 2025 | 7:00-8:00 pm | Vanderslice Cabaret Room
The Odyssey: The Musical (world premiere) by Louis Epstein and Daniel Groll. Composers workshop new materials and perform alongside Boston College students from Chestnut Hill and Brookline campuses to present a theatrical review. Produced by Anna Wittstruck. Directed by Lauren Busa.
This event is part of the Annual 2025 Arts Festival, sponsored by the Arts Council
Like any Greek epic, ours opens with a proem (“Proem”), an invocation to the Muse to tell the tale of proud, clever Odysseus and his ill-fated journey home.
The curtain rises on a crew of Greek sailors readying their ship to return to Ithaca after 10 long years at war with the Trojans. Among them is the disguised Goddess of Wisdom Athena, who serves both as our narrator and as Odysseus’s capricious protector. As the crew introduce themselves and their journey to come, we also meet Odysseus himself and Penelope, Odysseus’s long-suffering wife, who is fending off suitors back in Ithaca (“Coming Home”).
Odysseus and his crew set off, assuming smooth sailing. But adventure and calamity are in store. Poseidon kicks up a storm, making it impossible to sail anywhere. Odysseus and his crew row to the island of the Lotus Eaters (“Row On”), where everyone is as happy as can be. The Lotus Eaters entice the crew with their stupor-inducing fruit (“Lost”). The crew jump at the offer and have soon forgotten about their journey home. Appalled, Odysseus knocks the lotus fruit out of their hands and reminds them of all they’ve fought for (“Remember”).
Meanwhile, back in Ithaca, Penelepe has her own troubles (“Old Fashioned Hospitality”). With doubts growing by the day that Odysseus will ever return, the host of suitors who are hoping to win Penelope’s hand pressure her. Penelope isn’t remotely interested, and not just because the suitors are terrible guests. As clever as her husband, Penelope hatches a plan to delay the suitors: she will host a song competition, the winner of which will win Penelope’s hand (“Intro to the Song Competition”). The first entry - a barbershop number - settles nothing (“Suitors’ Barbershop”).
Lost on the other side of the Aegean Sea, after many days of hard rowing (“Row On Reprise”), Odysseus and his crew come upon an island filled with food and fresh water and hope for hospitality (“Old Fashioned Hospitality Reprise”). Little do they know that it’s the island of the Cyclops, Polyphemus, who traps them in his cave and begins eating the crew one by one. Escape seems impossible until wily Odysseus devises a plan to get past Polyphemus and flee back to the ship (“My Eye”). But a new storm is brewing, literally: Polyphemus is Poseidon’s son, and Poseidon blows Odysseus and his crew off course once again.
They eventually land on Aeolus’s island. He is the Lord of the Winds and he gifts the crew a bag of all the winds except for one – the west wind – which will blow them back to Ithaca in no time. After ten days of sailing (“West Wind Waltz”), with Ithaca in sight, the suspicious crew opens the bag, allowing the North, South, and East winds to blow with fury. As a result the ship is once again blown far away from Ithaca and the crew is lost once again somewhere on the Aegean sea.
Starting to feel hopeless, Odysseus sings of his love to Penelope. Back in Ithaca, Penelope is thinking of Odysseus at the exact same time (what are the odds?). They sing a song that is uniquely theirs, rekindling their connection despite the great distance separating them (“Nobody Else Will Sing Our Song”). The suitors impose on Penelope to listen to their song - the next entry in the song competition (“Like a Book”).
A demoralized crew and Odysseus finally land on what appears to be a hospitable island, Aeaea, with everything they need to resupply. The crew plunders the land, stripping it of every useful resource. Mistake! For this is the island of the Goddess Circe and her nature-loving nymphs. Nearby they are performing their daily ritual of thanksgiving for all that the island and the Gods provide them, which Odysseus spies from afar (“This Land”). Before he can approach to seek their hospitality, the messenger god Hermes stops him to offer advice and a special herb that may come in handy.
When Circe and her nymphs come upon Odysseus’s crew ravaging, they’re furious. Feigning hospitality, Circe and the nymphs offer a drink to the crew, which promptly turns them into pigs (“Mercy Circe”). Odysseus arrives just too late, but armed with Hermes’s herb, tricks Circe into promising to transform them back into humans. It’ll take a while, though. In the meantime, it turns out that some of the crew love their new lot in life (“Happy as a Pig).”
In the end, Circe sends Odysseus and his crew on their way with a recommendation: he must visit the blind prophet Tiresias in the underworld. Indeed, Tiresias has extensive but comically cryptic advice for how Odysseus and what remains of his crew can navigate the trials ahead (“Tiresias Jaunty Advice Song”).
First, the ship must pass the famed Sirens. Odysseus remembers Tiresias’s words and stuffs beeswax in the crew’s ears so that they won’t be tempted by the Sirens’ song. But ever bold and foolish, Odysseus decides that he wants to be the only person to hear the Sirens’ songs and live to tell the tale. He has his crew tie him to the mast and agree not to stop rowing, no matter what (“Siren Song”).
Next they navigate the strait between the Scylla, the six-headed monster, and Charibdis, the sea-swallowing monster (basically a whirlpool). They make it past (“Would You Rather?”), at terrible cost.
By now Odysseus has led them on misadventure after misadventure, and the crew is mutinous. Odysseus refuses to take responsibility in a show-stopping display of hubris (“It’s Not Me”).
After the suitors sing their last song in the competition (“No stopping us”) and Penelope fails to choose a winner, they present her with an ultimatum. But Penelope comes up with a new plan to delay. She tells the suitors that she’ll give them an answer when she finishes weaving a funeral shroud for her father-in-law. Cleverly, every night she unravels the previous day’s work; only her maid is aware of the ruse (“Weave”).
Meanwhile, Odysseus’s crew lands on Helios’s island. Though they are warned not to eat the sacred cows there (“Don’t Eat the Sacred Cows”), of course they do, and Helios calls on Zeus to punish the sailors with yet another storm. This one drowns what’s left of Odysseus’s crew. Odysseus is the sole survivor.
Odysseus washes ashore on Calypso’s island, where he will be a kept man for seven years while Calypso helps him process his trauma (“Talk Talk Talk”). She doesn’t want to let him go. Athena convenes a Council of the Gods (“Council of the Gods”) and convinces Zeus that Odysseus should be sent on his way. He isn’t ready to leave (“Talk Talk Talk Reprise”), but he goes anyway.
After one more storm, Odysseus finds himself in Phaeacia in the charge of Nausica’a and her friends, who finally transport him back to Ithaca disguised as a beggar so as not to alert the suitors to his presence (“You Wanna”).
Odysseus makes his way to his home unrecognized, except for the case of his loyal and absurdly long-lived dog, Argos, who reconnects with his master before dying (“Nobody Else Will Sing Our Song (Argos’s Version)”).
Inside the palace, things have come to a head; the maid alerted the suitors to Penelope’s deception and she’s out of stalling tactics. Spying a familiar-looking beggar in the corner, she promises the suitors that whoever can string Odysseus’s bow will replace him. They all fail, of course, except for the beggar, who then reveals himself as Odysseus. The suitors pay for their bad behavior as Odysseus and Penelope once again sing “their” song (“Nobody Else Will Sing Our Song Bonus Reprise”).
While the story should probably just end here, it doesn’t. The dead suitors’ families soon show up to exact revenge. When Odysseus and Penelope try convincing everyone that there’s been enough killing and that it’s time for peace to reign, Athena decides she’s bored. She whispers in Odysseus’s ear, and suddenly, it’s as if the last twenty years had never happened: Odysseus is ready for war and adventure once again. No one learns their lesson, and the next odyssey begins (“The Next Odyssey”).
BCSO Family Concert
Saturday, April 26, 2025 | 11:00 am-12:00 pm | Arts Festival Main Tent

- Louis & Dan and the Invisible Band perform original family-friendly songs with the Boston College Symphony Orchestra. Children and families are especially welcome.
- Anna Wittstruck, conductor
- This event is part of the Annual 2025 Arts Festival, sponsored by the Arts Council



Courtesy: Matthew Mao, photography
Campus Map and Parking
Campus Map and Parking:
Parking is available at the nearby Beacon Street and Commonwealth Avenue Garages.
Boston College is also accessible via public transportation (MBTA B Line - Boston College).
Boston College strongly encourages conference participants to receive the COVID-19 vaccination before attending events on campus.