BOOKS

• Architectural Drawings of the Late Italian Renaissance: The Collection of Pier Leone Ghezzi in the Vatican Library (Cod. Ottob. Lat 3110), Citta del Vaticano: Biblioteca Apostolica Vaticana, 1996.
• L'Oratorio dell'Arciconfraternita del Santissimo Crocifisso in Rome, Rome:
  Bulzoni, 1974.

ARTICLES

• “Cardinal Caesar Baronius, The Arts, and Early Christian Martyrs”, in Saints and Sinners: Caravaggio and the Baroque Image, Franco Mormando, editor; McMullen Museum of Art, 1999, pp. 136-150.
• “Saint Francesca Romana and Guardian Angels in Baroque Art”, Religion and the Arts,
  1998, 2-4, pp. 467-487.
• “Elsheimer and Rubens: A Link in the Early 17th century Rome,” Storia dell’arte, 95, 1999, pp. 35-44.
• “Of Altars and Drawings: Vasari ‘s Project for S. Stefano dei Cavalieri in Pisa," Master Drawings, vol. 30, 2, 1992, pp. 201-209.
• “Vicino Orsini's Sacro Bosco and the Literature of his Time,” AQUILA, Chestnut Hill Studies in Modern Languages and Literature, 1979, pp. 219-228.
• "I restauri del Duomo di Pisa fra Cinque e Seicento: nuove testimonianze," Bollettino d'Arte, N. 76, Novembre-Dicembre 1992 (sic), pp. 31-52.
• "The Church of Santa Stephano dei Cavalieri in Pisa: New Drawings," Antichita Viva, 1991, 38 pages plus 25 illustrations.
• "Two Renaissance Cassoni for Cosimo I de' Medici in the Victoria and Albert Museum," Mitteilungen des Kunsthistorischen Institutes in Florenz, I, 1991, 24 pages plus 17 illustrations.
• "I disegni di architettura del Codice Ottoboniano Latino 3110 di Pier Leone Ghezzi," Miscellanea Bibliothecae Apostolicae Vaticanae, vol. IV, 1990, 16 pages.
• "Poussin's Penance for Chantelou: The Answer to a Still Open Question," Gazette des Beaux Arts, February 1990, pp. 71-76.
• "Annibale Lippi, Santa Chiara a Monte Cavallo, and the Villa Medici in Rome," Journal of the Society of Architectural Historians, XLVIII, 3, September 1989, pp. 248-257.
• "The Church of Santa Chiara a Monte Cavallo in Rome: Its Attribution and History," The Journal of the Society of Architectural Historians, XLVIII, 3, September 1989,
  pp. 248-257.
• "Poussin's Penance: A New Reading," Storia dell'Arte, 1987, n. 61, pp. 229-242.
• "Emilio dei Cavalieri, Giacomo della Porta and G.B. Montano," Journal of the Society of Architectural Historians, XXXVI, 4, 1977, pp. 252-255.
• "Giacomo della Porta's Model for the Cappella dei Principi," Journal of the Society of Architectural Historians, XLII, 3 1983, pp. 290-292.
• "Della Porta, Giacomo," entry in the MacMillan Encyclopedia of Architects, Adolph Placzek editor, New York and London, 1982, vol. 3, pp. 456-458.
• "Bomarzo: Nuovi dati e un'interpretazione," Storia dell'Arte, 13, 1972, pp. 43-53.
• "An Early Work by Giacomo della Porta: The Oratorio del Santissimo Crocifisso di San Marcello in Rome," The Art Bulletin, XLIX, 2, 1970, pp. 157-171.
• "An Unknown Portrait of St. Ignatius of Loyola by Jacopino del Conte," The Art Bulletin, XLIX, 2, 1967, pp. 140-142.
• "Bomarzo: The Extravagant Garden of Pier Francesco Orsini," Italian Quarterly, XI, no. 42, 1967, pp. 3-19.
• "Teamwork vs. Individualism," Art Voices, IV, 1, 1966, pp. 32-37.
• "Un Aiuto del Vasari a San Marcello al Corso," Palatino, X, no. 1, 1966, pp. 33-36.
• "Collezioni d'Arte e Musei megli Stati Uniti," Arte, VII, 26, October 1965, pp. 32-41.
• John A. Tedeschi and J. von Henneberg, "Contra Petrum Antonium a Cervia Relapsum et Bononiae Concrematum," Italian Reformation Studies in Honor of Laelius Socinus, J.A. Tedeschi ed., Firenze, 1965, pp. 245-268.
• "Faustus Socinus' Comment on Aristotle's Rhetoric," ibidem, pp. 271-273.
• "The Mutual Influence Between Art and Society," Main Currents in Modern Thought, vol. 22, 1, September 1965, pp. 17-19.
• "Un Aiuto del Vasari e la Cappella Parisani nella chiesa romana di San Marcello," Commentari, XVI, 1965, III-IV, pp. 258-263.
•